Читать интересную книгу Курс на худшее: Абсурд как категория текста у Д.Хармса и С.Беккета - Дмитрий Токарев

БИБЛИОГРАФИЯ

В настоящую библиографию включены только основные работы о Данииле Хармсе и Сэмюэле Беккете. Более подробную информацию можно почерпнуть в книгах: Jaccard J.-Ph. Daniil Harms et la fin de l’avant-garde russe. Bern etc.: Peter Lang, 1991. P. 483–589; Federman R., Fletcher J. Samuel Beckett: his Works and his Critics (An Essay in Bibliography, 1929–1966). Berkeley & Los Angeles: University of California press, 1970; Murphy P. J., Huber W., Breuer R., Schoell K. Critique of Beckett Criticism: A Guide to Research in English, French and German. Columbia, South Caroline: Camden House, 1994.

I. Работы, посвященные Даниилу Хармсу

ЖАККАР Ж.-Ф. Даниил Хармс и конец русского авангарда. СПб., 1995.

КОБРИНСКИЙ А.А. Поэтика «ОБЭРИУ» в контексте русского литературного авангарда (Ученые записки Московского культурологического лицея. 1999. № 4).

САЖИН В.Н. (ред.) Хармсиздат представляет. Сборник материалов. СПб., 1995.

Театр. 1991. № 11.

ЯМПОЛЬСКИЙ М. Беспамятство как исток (Читая Хармса). М., 1998.

CORNWELL N. (ed.) Daniil Kharms and the Poetics of the Absurd: Essays and Materials. London: The Macmillan press, 1991.

MÜLLER B. Absurde Literatur in Russland: Entstehung und Entwicklung. München: Otto Sagner, 1978 (Arbeiten und Texte zur Slawistik, 5).

STONE-NAKHIMOVSKY A. Laughter in the Void. An Introduction to the Writings of Daniil Kharms and Aleksander Vvedenskii (Wiener slawistischer Almanach. Bd. 5. 1982).

II. Работы, посвященные Сэмюэлю Беккету

ABBOTT Н.Р. The Fiction of Samuel Beckett: Form and Effect. Berkeley: University of California press, 1973.

ABBOTT H.P. Beckett Writing Beckett: The Author in the Autograph. Ithaca & London: Cornell University press, 1996.

ACHESON J., ARTHUR K. Beckett’s Later Fiction and Drama: Texts for Company. Basingstoke & London: Macmillan press, 1987.

ADMUSSEN R. The Samuel Beckett Manuscripts: A Study. Boston: K.G. Hall, 1979.

ALBRIGHT D. Representation and the Imagination: Beckett, Kafka, Nabokov and Schoenberg. Chicago, London: University of Chicago press, 1981.

ALVAREZ A. Beckett. London: Woburn press, 1974.

ANZIEU D. Beckett et le psychanalyste. Paris: Mentha, Archimbaud, 1992.

As No Other Dare Fail: for Samuel Beckett on His 80th Birthday by His Friends and Admirers. London: J. Calder, 1986.

ASTRO AL. Understanding Samuel Beckett. Columbia: University of South Carolina press, 1990.

AXELROD M.R. The Politics of Style in the Fiction of Balzac, Beckett and Cortazar. Basington (G.B.): Macmillan, 1992.

BADIOU A. Beckett: l’increvable désir. Paris: Hachette, 1995.

BADIOU A. Samuel Beckett: l’écriture du générique et l’amour. Paris: Le Perroquet, 1989.

BAIR D. Samuel Beckett: A Biography, New York: Harcourt, Brace, Jovanovich, 1978. Trad, fr.: Paris: Fayard, 1979.

BARNARD G.C. Samuel Beckett: A New Approach: A Study of His Novels and Plays. London: J. M. Dent & Son, 1970.

BEGAM R. Samuel Beckett and the End of Modernity. Stanford: Stanford University press, 1996.

BEN-ZVI L. Samuel Beckett. Boston: Twayne, 1986.

BEN-ZVI L. (ed.) Women in Beckett: Performance and Critical Perspectives. Urbana & Chicago: Illinois University press, 1990.

BERNAL O. Langage et fiction dans le roman de Beckett. Paris: Gallimard, 1969.

BERNHARD M. Samuel Beckett et son sujet: une apparition évanouissante. Paris: l’Harmattan, 1996.

BISHOP Т., FEDERMAN R. (ed.) Cahiers de L’Herne. «Samuel Beckett». № 31. 1976.

BRATER E. (ed.) Beckett at 80: Beckett in Context. New York & Oxford: Oxford University press, 1986.

BRATER E. Beyond Minimalism: Beckett’s Late Style in the Theater. New York & Oxford: Oxford University press, 1987.

BRATER E. Why Beckett? London: Thames & Hudson, 1989.

BROWN Т., GRENE N. (ed.) Beckett at 80: A Trinity Tribute, Dublin, University press of Dublin, 1986.

BRYDEN M. Women in Samuel Beckett’s Prose and Drama: Her Own Other. Basingstoke & London, Macmillan, 1993.

BURKMAN K.H. (ed.) Myth and Rituals in the Plays of Samuel Beckett. London & Toronto: Associated University presses, 1987.

BUSI F. The Transformations of Godot. Lexington: The University press of Kentucky, 1979.

BUTLER St. J. L. Samuel Beckett and the Meaning of Being: A Study in Ontological Parable. London: Macmillan, 1984.

BÜTTNER G. Samuel Beckett’s Novel «Watt». Philadelphia: University of Pennsylvania press, 1984.

CALDER J. (ed.) Beckett at Sixty: A Festschrift. London: Calder à Boyars, 1967.

CALDER J. (ed.) The Journal of Samuel Beckett Studies. University of Reading. 1976.

CASANOVA P. Beckett l’abstracteur: anatomie d’une révolution littérature. Paris: Seuil, 1997.

CAREY Ph., JEWINSKI E. (ed.) Re-Joyce’n Beckett. New York: Fordham University press, 1992.

CHABERT P. (ed.) Revue d’esthétique. «Beckett». Nº hors série. Toulouse: Privat, 1986.

CHEVIGNEY B. G. (ed.) Twentieth Century Interpretations of «Endgame». Englewood Cliffs, N.J.: Prentice Hall, 1969.

CLÉMENT B. L’œuvre sans qualités: Rhétorique de Samuel Beckett. Paris: Seuil, 1994.

COE R. Beckett. Edinburgh & London: Oliver & Boyd, 1964.

COHN R. Back to Beckett. Princeton, N. J.: Princeton University press, 1973.

COHN R. (ed.) Casebook on «Waiting for Godot». New York: Grove press, 1967.

COHN R. (ed.) Just Play: Beckett’s Theater. Princeton, N.J.: Princeton University press, 1980.

COHN R. (ed.) Samuel Beckett: A Collection of Criticism. New York: McGraw Hill, 1962.

COHN R. Samuel Beckett: The Comic Gamut. New Brunswick, N.J.: Rutgers University press, 1962.

COHN R. (ed.) Modern Drama. Special Issue «Samuel Beckett». December 1966.

COHN R. (ed.) Perspective. Special Issue «Samuel Beckett» № 11. 1959.

CONNOR ST. Samuel Beckett: Repetition, Theory and Text. Oxford: Blackwell, 1988.

COPELAND H. Art and the Artist in the Works of Samuel Beckett. La Haye: Mouton, 1975.

CROUSSY G. Beckett. Paris: Hachette, 1971.

DAVIS R.J., BATLER L. St. J. (ed.) «Make Sens Who May»: Essays on Samuel Beckett’s Later Works. Gerrards Cross, G.B.: Colin Smythe, 1989.

DEARLOVE J.E. Accommodating the Chaos: Samuel Beckett’s Nonrelational Art. Durham: Duke University press, 1982.

DELYE H. Samuel Beckett ou la philosophic de l’Absurde. Aixen-Provence: La Pensee Universitaire, 1960.

DOLL M.A. Beckett and Myth: an Archetypal Approach. Syracuse, N.Y.: Syracuse University press, 1988.

DRECHSLER U. Die Absurde Farce bei Beckett, Pinter und Ionesco. Tübingen: G. Narr, 1988.

DREW A.M. (ed.) Past Crimson, Past Woe: The Shakespeare — Beckett Connection. New York & London: Garland, 1993.

DUROZOI G. Beckett. Paris & Montréal: Bordas, 1972.

EDWARDS M. Eloge de l’attente: T. S. Eliot et Samuel Beckett. Paris: Belin, 1996.

EGEBACK N. L’écriture de Beckett. Copenhague: Akademisk Forlag, 1975.

ELIOPULUS J. Samuel Beckett’s Dramatic Language. La Haye: Mouton, 1975.

ESSLIN M. The Theatre of the Absurd. Garden City, N.Y.: Doubleday & Co., 1961.

ESSLIN M. Meditations: Essays on Brecht, Beckett and the Media. Baton Rouge: Louisiana State University press, 1980.

ESSLIN M. (ed.) Samuel Beckett: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice Hall, 1965.

Europe. «Samuel Beckett». № 770–771 / Juin-Juillet 1993.

FEDERMAN R. Journey to Chaos: Samuel Beckett’s Early Fiction, Berkeley & Los Angeles: University of California press, 1965.

FINNEY B. Since «How it is»: A Study of Beckett’s Later Fiction. London: Covent Garden press, 1972.

FITCH B.T. Beckett and Babel: An Investigation into the Status of the Bilingual Work. Toronto, Buffalo & London: University of Toronto press, 1988.

FITCH B.T. Dimensions, structures et textualite dans la trilogie romanesque de Beckett. Paris: Lettres Modemes, 1977.

FLETCHER J. Samuel Beckett’s Art. London: Chatto à Windus, 1967.

FLETCHER J.The Novels of Samuel Beckett. London: Chatto & Windus, 1964.

FLETCHER J., SPURLING J. Beckett: A Study of his Plays. London: Methuen, 1972.

FOUCRÉ M. Le geste et la parole dans le théâtre de Samuel Beckett. Paris: Nizet, 1972.

FRIEDMAN M. (ed.) Samuel Beckett Now: Critical Approach to His Novels, Poetry & Plays, Chicago, London, University of Chicago press, 1970.

GESSNER N. Die Unzulänglichkeit der Sprache: Eine Untersuchung über Formzefall und Beziehungslosigkeit bei Samuel Beckett. Zürich: Juris, 1957.

GLUCK B. Beckett and Joyce: Friendship and Fiction. Lewis-burg: Bucknell University press / London: Associated University press, 1979.

GONTARSKI S.E. Beckett’s «Happy Days»: A Manuscript Study. Columbus, Ohio: The Ohio State University Libraries, 1977.

GONTARSKI S.E. (ed.) On Beckett: Essays and Criticism. New York: Grove press, 1986.

GONTARSKI S.E. (ed.) The Beckett’s Studies Reader. Gainesville etc.: University press of Florida, 1993.

GONTARSKI S.E. The Intent of Undoing in Samuel Beckett’s Dramatic Texts. Bloomington: Indiana University press, 1985.

GONTARSKI S.E. (ed.) Modern Fiction Studies. Special Issue «Samuel Beckett». № 29 (1). 1983.

GRAVER L., FEDERMAN R. (ed.) Samuel Beckett: The Critical Heritage. London, Henley & Boston: Routledge & Kegan Paul, 1979.

HAMILTON K. & A. Condemned to Life: The World of Samuel Beckett. Grand Rapids, Michigan: W.B. Eerdmans, 1976.

HARRINGTON J.P. The Irish Beckett. Syracuse, N. Y.: Syracuse University press, 1991.

HARVEY L.E. Samuel Beckett: Poet and Critic. Princeton, N.J.: Princeton University press, 1970.

HENNING S.D. Beckett’s Critical Complicity: Carnival, Contestation and Tradition. Lexington: The University press of Kentucky, 1988.

HESLA D. The Shape of Chaos: An Interpretation of the Art of Samuel Beckett. Minneapolis: University of Minnesota press, 1971.

HILDERBRANDT H.-H. Becketts-, Proust-Bilder, Erinnerung und Identitat. Stuttgart: J. B. Metzler, 1980.

HOFFMAN F. J. Samuel Beckett: The Language of Self. Carbondale: Southern Illinois University press, 1962.

HOFFMAN F.J. Samuel Beckett. New York: E.D. Dutton, 1964.

HUBERT M.-CL. Langage et corps fantasmé dans le théâtre des années cinquante: Beckett, Ionesco, Adamov. Paris: J. Corti, 1987.

JACOBSEN J., MILLER W. The Testament of Samuel Beckett. New York: Hill & Wang, 1964.

JACQUART E. Le Théâtre de dérision: Beckett, Ionesco, Adamov. Paris: Gallimard, 1974.

JANVIER L. Beckett par lui-même. Paris: Seuil, 1969.

JANVIER L. Pour Samuel Beckett. Paris: Minuit, 1966.

JULIET Ch. Rencontre avec Samuel Beckett. Paris: Fata Morgana, 1986.

KENNEDY S. Murphy’s Bed. Lewisburg, Pa.: Bucknell University press, 1971.

KENNER H. Flaubert, Joyce and Beckett: The Stoic Comedians. Boston: Beacon press, 1962.

KENNER H. Samuel Beckett: A Critical Study. Berkeley: University of California press, 1968.

KERN E. Existential Thought and Fictional Technique: Kierkegaard, Sartre, Beckett. New Haven: Yale University press, 1970.

KNOWLSON J. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury pbsh., 1996. Trad, fr.: Paris: Solin, 1999.

KNOWLSON J., PILLING J. Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett. London: J. Calder, 1979.

KNOWLSON J. Light and Darkness in the Theatre of Samuel Beckett. London: Turret Books, 1972.

KNOWLSON J. Samuel Beckett: An Exhibition. London: Turret Books, 1971.

LANCE St. J. BUTLER (ed.) Critical Thought. Series IV. Critical Essays on Samuel Beckett. Hants: Scolar Press, 1993.

LEVENTHAL A.J. Samuel Beckett. Englewood Cliffs, N.J.: Prentice Hall, 1965.

MARISSEL A. Samuel Beckett. Paris: Editions Universitaires, 1963.

M EGGED M. Dialogue in the Void: Beckett and Giacometti. New York: Lumen Books, 1985.

MÉLÈSE P. Samuel Beckett. Paris: Seghers, 1966.

MERCIER V. Beckett / Beckett. New York: Oxford University press, 1978.

MÖLLER H. - M. Adorno, Proust, Beckett: zur Analisierung einer alternden Theorie. Frankfurt am Main: Haag und Hercleen, 1981.

MOORJANI A. Abysmal Games in the Novels of Samuel Beckett. Chapel Hill: University of North Carolina press, 1982.

MORICONI B. Beckett e altro «assurdo». Napoli: Guida, 1990.

MORRISON K. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter. Chicago: University of Chicago press, 1983.

MURPHY P.J. Reconstructing Beckett. Language for Being in Samuel Beckett’s Fiction. Toronto: University of Toronto press, 1990.

NORES D. (ed.) Les Critiques de notre temps et Beckett. Paris: Gamier, 1971.

O’HARA J. (ed.) 20th Century Interpretations of «Molloy», «Malone Dies», «The Unnamable»: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice Hall, 1970.

ONIMUS J. Samuel Beckett. Paris & Bruges: Desclée de Brouwer, 1968.

PERCHE L. Beckett, l’enfer à notre portée. Paris: Le Centurion, 1969.

PILLING J. Samuel Beckett. London, Henley à Boston: Routledge and Kegan Paul, 1976.

PILLING J. (ed.) The Cambridge Companion to Beckett. Cambridge: Cambridge University press, 1994.

PILLING J., BRYDEN M. (ed.) The Ideal Core of the Onion: Reading Beckett archives. The University of Reading: Beckett international foundation, 1992.

RABATÉ J.-M. (ed.) Beckett avant Beckett: Essais sur les premières œuvres. Paris: P.E.N.S., 1984.

RABINOVITZ R. The Development of Samuel Beckett’s Fiction. Urbana & Chicago: University of Illinois press, 1984.

REID A. All I can Manage More than I Could. Dublin: Dolmen press, 1968.

RICKS Ch. Beckett’s Dying Words. Oxford, G.B.: Clarendon press, 1993.

ROBINSON M. The Long Sonata of the Dead. A Study of Samuel Beckett. London: Rupert Hart-Davis, 1969.

ROJTMAN B. Forme et Signification dans le théâtre de Beckett. Paris: Nizet, 1976.

ROSEN S. Samuel Beckett and the Pessimistic Tradition. New Brunswick, N. J.: Rutgers University press, 1976.

SCOTT N. Samuel Beckett. London: Bowes and Bowes, 1965.

SIMON A. Samuel Beckett. Paris: Belfond, 1983.

TAGLIAFERRI A. Beckett et la surdetermination littéraire. Paris: Payot, 1977.

WEBB E. Samuel Beckett: A Study of His Novels. London: Peter Owen, 1970.

WEBB E. The Plays of Samuel Beckett. Seattle: University of Washington press, 1972.