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University Press, 1992.

Holyrod 1988 – Holyrod, Michael. Bernard Shaw. Vol. 1: The Search for Love. New York: Random House, 1988.

Honig 2009 – Honig, Bonnie. Antigone’s Laments, Creon’s Grief: Mourning, Membership, and the Politics of Exception // Political Theory. 2009. Vol. 47, № 1. P. 5–43.

Honig 2010 – Honig, Bonnie. Review of Philosophy and Real Politics, by Raymond Geuss; Public Philosophy in a New Key. Vol. 1, Democracy and Civic Freedom, by James Tully; and Public Philosophy in a New Key. Vol. 2, Imperialism and Civic Freedom, by James Tully // Perspectives on Politics. 2010. Vol. 8, № 2. P. 657–660.

Iggers 1965 – Iggers, George G. The Idea of Progress: A Critical Assessment II The American Historical Review. 1965 (October). Vol. 71, № 1. P. 1–17.

Ingram 2011 – Ingram, Mark. Rites of the Republic: Citizens’ Theatre and the Politics of Culture in Southern France. Toronto: University of Toronto Press, 2011.

Ionesco 1958 – Ionesco, Eugene. The Bald Soprano // Ionesco, Eugene. The Bald Soprano and Other Plays / Trans, by Donald M. Allen. New York: Grove Press, 1958.

Ionesco 1960 – Ionesco, Eugene. Rhinoceros // Ionesco, Eugene. Rhinoceros and Other Plays / Trans, by Derek Prouse. New York: Grove Press, 1960.

Ionesco 1964 – Ionesco, Eugene. Notes and Counter Notes: Writings on the Theatre I Trans, by Donald Watson. New York: Grove Press, 1964.

Ionesco 1978 – James Ulmer. An Interview with Eugene Ionesco 11 The Harvard Crimson. March 09, 1978.

Ionesco 1984 – Shusha Guppy. Eugene Ionesco: The Art of the Theater No. 6: Interviewed by Shusha Guppy 11 The Paris Review. 1985. № 93.

Ionesco 1987 – Ionesco, Eugene. Fragments of a Journal I Trans, by Jean Stewart, with an introduction by Donald Watson. New York: Quartet Books,

1987.

Ionesco 1998 – Ionesco, Eugene. Present Past I Past Present: A Personal Memoir I Trans, by Helen R. Lane, with a new introduction by Robert Brustein. New York: Da Capo Press, 1998.

Isaac 1992 – Isaac, Jeffrey C. Arendt, Camus, and Modern Rebellion. New Haven: Yale University Press, 1992.

Kaarsholm 1990 – Kaarsholm, Preben. Mental Colonisation or Catharsis? Theatre, Democracy, and Cultural Struggle from Rhodesia to Zimbabwe 11 Journal of Southern African Studies. 1990. Vol. 16, № 2. P. 246–275.

Kamdar 2004 – Kamdar, Mira. Theatre and Repression: Saffron Nightmares II American Theatre. 2004. Vol. 21, № 9. P. 28–31, 100–102.

Kellner 1974 – Kellner D.Review of On a raison de se г e volter, by Jean Paul Sartre, Philippe Gavi, and Pierre Victor // Telos 22 (December 1974): 201.

Kellner 1980 – Kellner, Douglas. Brechts Marxist Aesthetic: The Korsch Connection // Weber, Betty Nance, Hubert Heinen, eds. Bertolt Brecht: Political Theory and Literary Practice. Athens: University of Georgia Press, 1980. P. 29–42.

Kellner 1988a – Kellner, Douglas. Expressionism and Rebellion // Bronner, Stephen Eric, Douglas Kellner, eds. Passion and Rebellion: The Expressionist Heritage. New York: Columbia University Press, 1988. P. 3–39.

Kellner 1988b – Kellner, Douglas. Expressionist Literature and the Dream of the “New Man” // Bronner, Stephen Eric, Douglas Kellner, eds. Passion and Rebellion: The Expressionist Heritage. New York: Columbia University Press, 1988. P. 166–200.

Kruger 1992 – Kruger, Loren. The National Stage: Theatre and Cultural Legitimation in England, France, and America. Chicago, IL: University of Chicago Press, 1992.

Kuhn, Willett 2001 – Kuhn, Tom, John Willett. Introduction 11 Brecht, Bertolt. Collected Plays. Vol. 4: “Round Heads and Pointed Heads”, “Fear and Misery of the Third Reich”, “Senora Carrar’s Rifles”, “The Trial of Lucullus”, and Two OneAct Plays / Ed. by Tom Kuhn and John Willett. London: Methuen, 2001.

Johnson 1972 – Johnson, Richard. The French Communist Party Versus the Students: Revolutionary Politics in May-June 1968. New Haven: Yale University Press, 1972.

Lamont 1993 – Lamont, Rosette C. Ionesco’s Imperatives: The Politics of Culture. Ann Arbor: University of Michigan Press, 1993.

Lasswell 1936 – Lasswell, Harold D. Politics: Who Gets What, When, How. New York: Whittlesey House, 1936.

Lazar 1982 – Lazar, Moshe, ed. The Dream and the Play: Ionesco’s Theatrical Quest. Malibu, CA: Undena Publications, 1982.

Loftis 2009 – Loftis, Sonya Freeman. Shakespeare, Shotover, Surrogation: “Blaming the Bard” in Heartbreak House 11 SHAW: The Annual of Bernard Shaw Studies. 2009. Vol. 29. P. 50–65.

Lukacs 1980 – Lukacs, Georg. Realism in the Balance // Adorno, Theodor, Walter Benjamin, Ernst Bloch, Bertolt Brecht, Georg Lukacs. Aesthetics and Politics: The Key Texts of the Classic Debate within German Marxism / Trans, ed. by Ronald Taylor, with an afterword by Fredric Jameson. New York: Verso, 1980. P. 28–59.

Lunn 1974 – Lunn, Eugene. Marxism and Art in the Era of Stalin and Hitler: A Comparison of Brecht and Luk a cs П New German Critique. 1974 (Autumn). Vol. № 3. P. 12–44.

Mandelbaum 1971 – Mandelbaum, Maurice. History, Man and Reason: A Study in Nineteenth Century Thought. Baltimore, MD: Johns Hopkins University Press, 1971.

Matson 1995 – Matson, Michelle. Brecht and the Status of the Political Subject // Brecht Unbound / Ed. by James K. Lyon and Hans-Peter Breuer. Newark: University of Delaware Press, 1995. P. 29–40.

Mayer 1971 – Mayer H. teppenwolf and Everyman. Los Angeles: Crowell, 1971.

Mbowa 1996 – Mbowa, Rose. Theater and Political Repression in Uganda // Research in African Literatures. 1996. Vol. 27, № 3. P. 87–97.

McCall 1971 – McCall, Dorothy. The Theatre of Jean-Paul Sartre. New York: Columbia University Press, 1971.

McLaren 1992 – McLaren, Robert Mshengu. Theatre on the Frontline: The Political Theatre of Zambuko/Izibuko // The Drama Review. 1992. Vol. 36, № l.P. 90-114.

Meisel 1963 – Meisel, Martin. Shaw and the Nineteenth Century Theater. Princeton, NJ: Princeton University Press, 1963.

Michalski 2003 – Michalski, Sergiusz. New Objectivity: Painting, Graphic Art and Photography in Weimar Germany 1919–1933. London: Taschen, 2003.

Moore 1993 – Moore, Barrington. Social Origins of Dictatorship and Democracy: Lord and Peasant in the Making of the Modern World. Boston: Beacon Press, [1966] 1993.

Morawetz 1985 – Morawetz, Thomas. Tension in “The Art of Separation” II Political Theory. 1985. Vol. 13, № 4. P. 599–606.

Morgan 1965 – Morgan, Margery M. Back to Methuselah: The Poet and the City IIG. B. Shaw: A Collection of Critical Essays

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