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everybody felt the same way? How could society ever function, we'd be back in the

times of the cavemen. Mike, you don't believe what you're saying, do you?"

Michael grinned at her. "I'm just telling you what my father believes. I just want you to

understand that whatever else he is, he's not irresponsible, or at least not in the society

which he has created. He's not a crazy machine-gunning mobster as you seem to think.

He's a responsible man in his own way."

"And what do you believe?" Kay asked quietly.

Michael shrugged. "I believe in my family," he said. "I believe in you and the family we

may have. I don't trust society to protect us, I have no intention of placing my fate in the

hands of men whose only qualification is that they managed to con a block of people to

vote for them. But that's for now. My father's time is done. The things he did can no

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longer be done except with a great deal of risk. Whether we like it or not the Corleone

Family has to join that society. But when they do I'd like us to join it with plenty of our

own power; that is, money and ownership of other valuables. I'd like to make my

children as secure as possible before they join that general destiny."

"But you volunteered to fight for your country, you were a war hero," Kay said. "What

happened to make you change?"

Michael said, "This is really getting us no place. But maybe I'm just one of those real

old-fashioned conservatives they grow up in your hometown. I take care of myself,

individual. Governments really don't do much for their people, that's what it comes down

to, but that's not it really. All I can say, I have to help my father, I have to be on his side.

And you have to make your decision about being on my side," He smiled at her. "I

guess getting married was a bad idea."

Kay patted the bed. "I don't know about marrying, but I've gone without a man for two

years and I'm not letting you off so easy now. Come on in here."

When they were in bed together, the light out, she whispered to him, "Do you believe

me about not having a man since you left?"

"I believe you," Michael said.

"Did you?" she whispered in a softer voice.

"Yes," Michael said. He felt her stiffen a little. "But not in the last six months." It was

true. Kay was the first woman he had made love to since the death of Apollonia.

Chapter 26

The garish suite overlooked the fake fairyland grounds in the rear of the hotel;

transplanted palm trees lit up by climbers of orange lights, two huge swimming pools

shimmering dark blue by the light of the desert stars. On the horizon were the sand and

stone mountains that ringed Las Vegas nestling in its neon valley. Johnny Fontane let

the heavy, richly embroidered gray drape fall and turned back to the room.

A special detail of four men, a pit boss, a dealer, extra relief man, and a cocktail

waitress in her scanty nightclub costume were getting things ready for private action.

Nino Valenti was lying on the sofa in the living room part of the suite, a water glass of

whiskey in his hand. He watched the people from the casino setting up the blackjack

table with the proper six padded chairs around its horseshoe outer rim. "That's great,

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that's great," he said in a slurred voice that was not quite drunken. "Johnny, come on

and gamble with me against these bastards. I got the luck. We'll beat their crullers in."

Johnny sat on a footstool opposite the couch: "You know I don't gamble," he said.

"How you feeling, Nino?"

Nino Valenti grinned at him. "Great. I got broads coming up at midnight, then some

supper, then back to the blackjack table. You know I got the house beat for almost fifty

grand and they've been grinding me for a week?"

"Yeah," Johnny Fontane said. "Who do you want to leave it to when you croak?"

Nino drained his glass empty. "Johnny, where the hell did you get your rep as a

swinger? You're a deadhead, Johnny. Christ, the tourists in this town have more fun

than you do."

Johnny said, "Yeah. You want a lift to that blackjack table?"

Nino struggled erect on the sofa and planted his feet firmly on the rug. "I can make it,"

he said. He let the glass slip to the floor and got up and walked quite steadily to where

the blackjack table had been set up. The dealer was ready. The pit boss stood behind

the dealer watching. The relief dealer sat on a chair away from the table. The cocktail

waitress sat on another chair in a line of vision so that she could see any of Nino

Valenti's gestures.

Nino rapped on the green baize with his knuckles. "Chips," he said.

The pit boss took a pad from his pocket and filled out a slip and put it in front of Nino

with a small fountain pen. "Here you are, Mr. Valenti," he said. "The usual five thousand

to start." Nino scrawled his signature on the bottom of the slip and the pit boss put it in

his pocket. He nodded to the dealer.

The dealer with incredibly deft fingers took stacks of black and gold one-hundred-

dollar chips from the built-in racks before him. In not more than five seconds Nino had

five even stacks of one-hundred-dollar chips before him, each stack had ten chips.

There were six squares a little larger than playing card, shapes etched in white on the

green baize, each square placed to correspond to where a player would sit. Now Nino

was placing bets on three of these squares, single chips, and so playing three hands

each for a hundred dollars. He refused to take a hit on all three hands because the

dealer had a six up, a bust card, and the dealer did bust. Nino raked in his chips and

turned to Johnny Fontane. "That's how to start the night, huh, Johnny?"

Johnny smiled. It was unusual for a gambler like Nino to have to sign a chit while

gambling. A word was usually good enough for the high rollers. Maybe they were afraid

Nino wouldn't remember his take-out because of his drinking. They didn't know that

Nino remembered everything.

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Nino kept winning and after the third round lifted a finger at the cocktail waitress. She

went to the bar at the end of the room and brought him his usual rye in a water glass.

Nino took the drink, switched it to his other hand so he could put an arm around the

waitress. "Sit with me, honey, play a few hands; bring me luck."

The cocktail waitress was a very beautiful girl, but Johnny could see she was all cold

hustle, no real personality, though she worked at it. She was giving Nino a big smile but

her tongue was hanging out for one of those black and gold chips. What the hell,

Johnny thought, why shouldn't she get some of it? He just regretted that Nino wasn't

getting something better for his money.

Nino let the waitress play his hands for a few rounds and then gave her one of the

chips and a pat on the behind to send her away from the table. Johnny motioned to her

to bring him a drink. She did so but she did it as if she were playing the most dramatic

moment in the most dramatic movie ever made. She turned all her charm on the great

Johnny Fontane. She made her eyes sparkle with invitation, her walk was the sexiest

walk ever walked, her mouth was very slightly parted as if she were ready to bite the

nearest object of her obvious passion. She resembled nothing so much as a female

animal in heat, but it was a deliberate act. Johnny Fontane thought, oh, Christ, one of

them. It was the most popular approach of women who wanted to take him to bed. It

only worked when he was very drunk and he wasn't drunk now. He gave the girl one of

his famous grins and said, "Thank you, honey." The girl looked at him and parted her

lips in a thank-you smile, her eyes went all smoky, her body tensed with the torso

leaning slightly back from the long tapering legs in their mesh stockings. An enormous

tension seemed to be building up in her body, her breasts seemed to grow fuller and

swell burstingly against her thin scantily cut blouse. Then her whole body gave a slight

quiver that almost let off a sexual twang. The whole impression was one of a woman

having an orgasm simply because Johnny Fontane had smiled at her and said, "Thank

you, honey." It was very well done. It was done better than Johnny had ever seen it

done before. But by now he knew it was fake. And the odds were always good that the

broads who did it were a lousy lay.

He watched her go back to her chair and nursed his drink slowly. He didn't want to

see that little trick again. He wasn't in the mood for it tonight.

It was an hour before Nino Valenti began to go. He started leaning first, wavered back,

and then plunged off the chair straight to the floor. But the pit boss and the relief dealer

187

had been alerted by the first weave and caught him before he hit the ground. They lifted

him and carried him through the parted drapes that led to the bedroom of the suite.

Johnny kept watching as the cocktail waitress helped the other two men undress Nino

and shove him under the bed covers. The pit boss was counting Nino's chips and

making a note on his pad of chits, then guarding the table with its dealer's chips. Johnny

said to him, "How long has that been going on?"

The pit boss shrugged. "He went early tonight. The first time we got the house doc

and he fixed Mr. Valenti up with something and gave him some sort of lecture. Then

Nino told us that we shouldn't call the doc when that happened, just put him to bed and

he'd be OK in the morning. So that's what we do. He's pretty lucky, he was a winner

again tonight, almost three grand."

Johnny Fontane said, "Well, let's get the house doc up here tonight. OK? Page the

casino floor if you have to."

It was almost fifteen minutes before Jules Segal came into the suite. Johnny noted

with irritation that this guy never looked like a doctor. Tonight he was wearing a blue

loose-knit polo shirt with white trim, some sort of white suede shoes and no socks. He

looked funny as hell carrying the traditional black doctor's bag.

Johnny said, "You oughta figure out a way to carry your stuff in a cut-down golf bag."

Jules grinned understandingly, "Yeah, this medical school carryall is a real drag.

Scares the hell out of people. They should change the color anyway."

He went over to where Nino was lying in bed. As he opened his bag he said to Johnny.

"Thanks for that check you sent me as a consultant. It was excessive. I didn't do that

much."

"Like hell you didn't," Johnny said. "Anyway, forget that, that was a long time ago.

What's with Nino?"

Jules was making a quick examination of heartbeat, pulse and blood pressure. He

took a needle out of his bag and shoved it casually into Nino's arm and pressed the

plunger. Nino's sleeping face lost its waxy paleness, color came into the cheeks, as if

the blood had started pumping faster.

"Very simple diagnosis," Jules said briskly. "I had a chance to examine him and run

some tests when he first came here and fainted. I had him moved to the hospital before

he regained consciousness. He's got diabetes, mild adult stabile, which is no problem if

you take care of it with medication and diet and so forth. He insists on ignoring it. Also

he is firmly determined to drink himself to death. His liver is going and his brain will go.

Right now he's in a mild diabetic coma. My advice is to have him put away."

Johnny felt a sense of relief. It couldn't be too serious, all Nino had to do was take

care of himself. "You mean in one of those joints where they dry you out?" Johnny

asked.

Jules went over to the bar in the far corner of the room and made himself a drink.

"No," he said. "I mean committed. You know, the crazy house."

"Don't be funny," Johnny said.

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"I'm not joking," Jules said. "I'm not up on all the psychiatric jazz but I know something

about it, part of my trade. Your friend Nino can be put back into fairly good shape unless

the liver damage has gone too far, which we can't know until an autopsy really. But the

real disease is in his head. In essence he doesn't care if he dies, maybe he even wants

to kill himself. Until that is cured there's no hope for him. That's why I say, have him

committed and then he can undergo the necessary psychiatric treatment."

There was a knock on the door and Johnny went to answer it. It was Lucy Mancini.

She came into Johnny's arms and kissed him. "Oh, Johnny, it's so good to see you,"

she said.

"It's been a long time," Johnny Fontane said. He noticed that Lucy had changed. She

had gotten much slimmer, her clothes were a hell of a lot better and she wore them

better. Her hair style fitted her face in a sort of boyish cut. She looked younger and

better than he had ever seen her and the thought crossed his mind that she could keep

him company here in Vegas. It would be a pleasure hanging out with a real broad. But

before he could turn on the charm he remembered she was the doc's girl. So it was out.

He made his smile just friendly and said, "What are you doing coming to Nino's

apartment at night, eh?"

She punched him in the shoulder. "I heard Nino was sick and that Jules came up. I

just wanted to see if I could help. Nino's OK, isn't he?"

"Sure," Johnny said. "He'll be fine."

Jules Segal had sprawled out on the couch. "Like hell he is," Jules said. "I suggest we

all sit here and wait for Nino to come to. And then we all talk him into committing himself.

Lucy, he likes you, maybe you can help. Johnny, if you're a real friend of his you'll go

along. Otherwise old Nino's liver will shortly be exhibit A in some university medical lab."

Johnny was offended by the doctor's flippant attitude. Who the hell did he think he

was? He started to say so but Nino's voice came from the bed, "Hey, old buddy, how

about a drink?"

Nino was sitting up in bed. He grinned at Lucy and said, "Hey, baby, come to old

189

Nino," He held his arms wide open. Lucy sat on the edge of the bed and gave him a hug.

Oddly enough Nino didn't look bad at all now, almost normal.

Nino snapped his fingers. "Come on, Johnny, gimmee a drink. The night's young yet.

Where the hell's my blackjack table?"

Jules took a long slug from his own glass and said to Nino, "You can't have a drink.

Your doctor forbids it."

Nino scowled. "Screw my doctor." Then a play-acting look of contrition came on his

face. "Hey, Julie, that's you. You're my doctor, right? I don't mean you, old buddy.

Johnny, get me a drink or I get up out of bed and get it myself."

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