Читать интересную книгу The Devils Punchbowl - Greg Iles

She smiles.

Caitlin ascends the long staircase, wondering why Penn’s words didn't resonate in her as they would have only a week ago. She walks into her bedroom and opens the dresser, wishing she’d packed more clothes for the trip. As she takes off her sweater and bra and slips on a T-shirt, her thoughts go back to her conversation with Pastor Simpson in the afternoon. Tying back her hair with an elastic band, she hears a noise from downstairs. Thinking it might be Carl knocking on the wall for attention, she goes to the door and sticks her head out.

A rush of movement from the right makes her jerk left, then a black hood descends over her head. As she shouts for Carl, someone yanks a drawstring tight, cutting off her air. Lashing out with both hands, she tries to break free, but a needle-sharp sting like a wasp’s pierces her neck below the jaw. Within seconds her limbs stop obeying her brain. She tries to yell Carl’s name, then screams for Penn, but all that emerges from her mouth is the blubbering of someone being shoved underwater.

CHAPTER

46

Walt Garrity stands between the Devil’s Punchbowl and a row of blinking slot machines, sipping a Maker’s Mark and trying to avoid Nancy. Since making his play with Sands earlier, he’s felt a nice buzz, and the whiskey only makes it better. He’s also realized that the case isn’t the only thing on his mind. The image of the Chinese beauty descending the escalator will not leave him. He’s been half-consciously searching for her all night. The search hasn’'t been easy, because Nancy seems to be noticing his absences more now. In fact, she ought to be running out of chips about now, and he’s going to have to put in a little time with her at the craps table.

Setting his empty glass on a table outside the bar, he heads for the main escalator that leads to the grand salon. Just as he reaches for the moving handrail, a hidden door used by the staff opens in the wall to his left, and the Chinese beauty steps out, wearing what looks like a silk kimono. She’s not looking at Walt, but she’s less than ten yards away and doesn’'t seem to be in a hurry.

He moves to his left, gently intercepting her, and says, “Excuse me, ma’am. Could I talk to you for a minute?”

“You want talk?” she asks in musical voice. “My English not good.”

Her ingenuousness melts something in Walt. “That'’s all right. I'’ll keep it simple. I really just want to sit with you for a couple of minutes.”

“Sit?”

“In the bar maybe? The Devil’s Punchbowl?”

She crinkles her nose. “Food not so good there. I no like.”

“We don'’t have to eat anything.”

She looks mildly anxious, as if she has somewhere else to be.

“Am I holding you up?”

“With someone else tonight. You understand?”

“You’re with someone else? You have a date?”

“Date, yes.” The girl smiles and nods, and Walt’s heart sinks.

She nods considerately, then moves to go. But after walking a few feet, she turns and glides back to him. “No date tomorrow,” she says softly, her eyes shining. “You come back tomorrow, I be your date.”

Something kicks in Walt’s chest, and it can only be his heart. He’d hardly dared hope that this woman could be had by a simple business transaction. But here she stands, waiting for his answer.

“You come tomorrow?” she asks. “Or I make another date?”

Walt swallows, trying to get his mind around the reality of what’s being offered.

“You no be sorry,” the girl whispers. “Me number one girl. Make you come many time. You feel twenty again. You like?”

Walt gulps as he did as an eighteen-year-old in Tokyo when the first streetwalker climbed onto his leg and offered him something he’d never heard of. Prostitution had been legal in Japan then, but it certainly wasn'’t in Texas, and he’d almost popped the moment her warm flesh settled against the leg of his uniform.

“Tomorrow,” he says finally. “I'’ll be your date tomorrow.”

The girl extends her graceful hand and traces one fingernail along his chest. “I like you. What I call you?”

“J.B.”

“Zhaybee?”

“Good enough.”

“Okay. I go now. Date waiting.”

She turns away again, but this time, emboldened by her frankness, Walt reaches out and lays a fingertip on her scalloped collarbone. When she turns this time, he thinks he sees a flash of annoyance, but then the submissive smile of the Orient he remembers from so long ago returns. “Yes, Zhaybee?”

“What do I call you?”

Her smile broadens. “So sorry. I forgot. I am Ming.”

“Ming?”

“Ming. Like the vase, yes?”

“I won'’t forget.”

“Bye for now.”

Walt watches her lithe form glide across the carpet until she slips into the mass of fat American bodies crowding the slot machines.

“I guess you’re dumping me now, huh?” Nancy says petulantly from behind him.

Walt turns, takes in the genuine hurt in her face, and tries to let her down easy. “We’'ve had a good run, Nancy. Haven’t we?”

“What’s so great about her?”

What’s not?

Walt wonders.

“She’s too damn skinny,” Nancy says, “too skinny by half. Nothing to hold on to when you get in the saddle.”

Walt gives her a patient smile.

“Course I guess that doesn’'t matter, since you can’t saddle up anymore.”

Despite the venom in her voice, Walt takes out his wallet and peels off $500 of Penn’s money.

“We had a good run, honey. Will you take some advice from an old man?”

“That'’s the only kind of vice I don'’t like,” Nancy says, her face hard again.

“Ad

vice.”

Walt holds her eye, forcing her to see him straight.

“Okay, okay, let’s hear it.”

“It’s nothing you haven'’t heard before. But I want you to listen this time. Find another line of work.”

“Great. Thanks, granddad. You know how hard it is in this town to find a job that pays what I make on my back?”

“Find a new town. Girls don'’t live long in this racket.”

For a few brief seconds Nancy looks back at him without affect, completely vulnerable, almost hopeful, but then a dealer calls a win, and she blinks, and the walls go back up, her eyes as opaque as plaster marbles.

“Take care, Nancy. And thanks. You brought me luck.”

CHAPTER

47

Caitlin has no idea how long she’s been locked in the car trunk when the vehicle finally stops. As soon as she woke up, she found a taillight with her foot and kicked it out, but though she stuck her hand through the hole and waved it wildly, no one stopped the car.

Two doors open and close, then the trunk pops open. Someone lifts the lid. She hears gruff commands—the accents Irish. Powerful hands seize her and lift her out of the trunk, letting her feet dangle to the ground. Fear is loose in her like a wild thing, but she keeps telling herself that if they meant to kill her, they could have done it before now. She’s glad they'’re holding her up. With the hood over her head, it’s difficult to maintain balance.

“I'm holding a Taser,” says a voice. “Try to run, I'’ll juice you. You won'’t like it. I can tell you from experience.”

They march her forward at a rapid clip, then stop. There’s a jangle of keys. Suddenly she hears panting. A barrage of barking erupts close to her, and she hears heavy bodies slamming into a Cyclone fence. All at once she remembers Linda’s note, about Quinn feeding Ben Li to dogs.

“Get ’em back!” shouts an Irishman. “Goddamn it, go! Use bait if you have to.”

One man lets go of Caitlin, but the yammering dogs keep hitting the fence. Caitlin wants to speak, but duct tape holds her jaw immo

bile. After about a minute, the dogs race away and slam into what must be a different fence. There’s a metallic rattle, then the sound of an opening gate.

The man drags her through, then opens a door and leads her into a closed space that stinks of urine, old food, and dirty animals. She smells alcohol too, rubbing alcohol, plus other medical odors she can’t identify. The floor feels like bare cement. They march her twenty steps, then stop and open another door with a key. This sounds like a real door, not a gate. Someone shoves her between the shoulder blades, driving her into the room. She almost stumbles, but keeps her feet long enough to collide with a wall opposite the door.

“We’re going to take the hood off. Be still, or you get the juice. Nod if you understand.”

Caitlin nods once.

The black hood is whipped off her head, and blinding fluorescent light stabs her eyes. After a few seconds, she realizes it’s just a cheap bulb, and her vision clears. One man stands in front of her, wearing a balaclava mask. His lips show through the mask; they look bright red, filled with blood. His eyes are gray and hungry.

“Take off your clothes,” he says.

“What?”

“Get ’em off!”

“No.”

He jabs the Taser at her. “You do it or I do. It’ll hurt less if you do it.”

“Why do you want my clothes?”

“Fuckin’ hell, you mouthy cunt. Do what I tell ya!”

Caitlin pulls her T-shirt over her head, then slides her jeans down and steps out of them.

“Panties too. Everything.”

With a hiss of anger, she pulls down the panties and tosses them at his feet.

“Not bad,” he says, his voice muffled by the hood. “A little skinny for my taste, but, damn, you’re a thoroughbred, aren'’t you?”

“What do you think this is going to accomplish?”

“Ah…well, that’s up to your boyfriend, I reckon. You too. Lucky for you, he’s got something we need. But let’s see how coop erative you can be, eh? You shave it a little close down there, don'’t ya? I like it natural.”

It takes a supreme act of will, but Caitlin turns and faces the wall. A barred window is set in it, but the bars don'’t look strong enough to hold a determined prisoner. She expects to feel the bite of the Taser at any moment, but all she hears is a closing door.

She starts to turn, but then the door opens again, just wide enough for a head. “Hey, I like that side too. Better than the front, I think. I'’ll be seein’ ya, princess. Oh, yeah. Lots to look forward to.”

This time when the door closes, a key turns in the lock, a heavy bolt shoots home, and muted steps go down the corridor.

Caitlin turns slowly in place, taking in every detail of the room. It’s a simple square with plywood walls, a concrete floor, and a low ceiling that looks like the underside of a tin roof. A plastic dog bowl sits on the floor, filled with water. A pail stands beside it, empty, and she realizes that this is to be her toilet. A door slams somewhere, and the walls of her cell vibrate.

“Well, this is what you get,” she says aloud, walking forward and testing the bars with a steady pull. The bars aren'’t set in the window, but screwed over it. She could have them off in a couple of hours.

It can’t be that easy,

she thinks. Then she remembers the dogs.

“Fuck,” she whispers, realizing her situation at last. The bars weren’t put here to hold a human in this room, but a dog.

I can use my wonderful opposable thumb to get the bars off, but the dogs are outside, hoping I'’ll drop through that window like food through a chute.

The sound of an engine reaches her, and after a grinding of gears, it slowly recedes into silence. Thinking they’ve left her alone, Caitlin nearly jumps out of her skin when something bumps the wall to her left. At first she thinks it’s a dog, but then the sound comes again, a steady tapping against the plywood, low down on the wall. She drops into a crouch and puts her cheek against the wood.

“Is someone there?”

Three slow taps respond.

“Who are you?” Caitlin asks.

“Who are

you?”

“Caitlin Masters.”

There’s silence for a few moments. Then a muffled female voice says, “Penn Cage’s old girlfriend?”

“Yes! Tell me your name.”

There’s a long pause. Then the voice says, “Are you for real?”

“What do you mean?”

“You could be with them. Helping them. Quinn.”

“My God, no! They just kidnapped me. I’'ve been looking for Linda Church. Is that you, Linda?”

“You tell me the rest first. Why would they kidnap you?”

“Penn got your note—from that Pentecostal girl. He thought you’d got away safe, but I wasn'’t sure. I wanted to find you. I never stopped looking for you, Linda. I traced that girl from the Oneness church. And then the preacher, Simpson.”

Caitlin hears soft whimpering. “I want to believe you.”

“Linda, is it really you? Please tell me. What can it hurt? They already know you’re here. They

put

you here.”

“I guess. I can’t think right anymore. I'm sick. My leg’s infected.”